Cheats for Subway surfers (Unlimited Keys & Coins) Temple Run Guide for. When you purchase something with this cheat in effect, your money value will become negative, but you can still purchase items.Ī much better way to do this cheat, is to simply edit the XML file: /data/data//shared_prefs/. Boney The Runner Android Angry Gran Run, Running Game Mobile app Runner free. Note: You MUST have the values saved for this cheat to work.Repeat this process until you get a few values.Go into the store again, and search the new value of money.How to get more codes if you want to get more ingame codes for speed run 4. Start another game, and earn some more money, then end the game. 4 kids like talking tom gold run, angry gran run, and subway surfers.Go into the store, and search your amount of money. Change your look by buying new costumes including 70s hippy gran, wonder gran, zombie gran and even a PENGUIN COSTUME Forget the temple, jungles and subway stations - the cities of New York and Rome await you Run 2 Buy and upgrade loads of different power-ups like BULLET-TIME and INVINCIBLE SHIELDS.The result was plenty of them, though I may show most of them.-Follow me on Twitter for instant update. Start the game, and make sure to earn some money before ending the game. I found a website browser of Unity 3D games.If you don't have money, continue to the next step, if you do, skip to step 4. Angry Gran Run is the best free 3D running game If you love grandma games then you will love this cool FREE running game How to play Angry grand run Up arrow - Jump Down arrow - Slide Left/right arrows - Turn corners A/D keys - Move left/right More Games If you like Angry gran run, check out the next game in the series, Slope.Open both Angry Gran Run, and GameGuardian.
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The Arduino is hooked up the the Jetson via a multiplexer.It is also possible to use I2C (faster than serial), SPI (faster than I2C), or direct GPIO, but these are slightly more tricky than serial UART communication. What is Package Tracking?Eventually the Arduino's data to send back will be collected from sensors. A USPS tracking number is a shipment tracking number or unique ID which is assigned to each USPS package shipped through the courier. Simply enter your H TDO is simply the product of DPS (how much damage a Pokemon deals per second, on average) and how much time the Pokemon lasts in battle. Calculate TDO (total damage output) for each Fast Move and select the best option.Dragonite with Dragon Claw or Magneton with Discharge). This method for selecting a Secondary Charged Move was chosen because the battle algorithm prioritizes fast Charged Moves over the Main Charged Move in certain scenarios, so this helps give Pokemon access to their faster attacks even if they aren't as efficient on paper as other options (e.g. Since this weighs moves by energy, fast-charging moves are more likely to be selected than slow ones. Sort remaining Charged Moves by damage per energy squared and select the best move for the "Secondary" Charged Move.DPE helps determine each Pokemon's most efficient move in the matchup. Some Charged Moves deal a lot of damage but take longer to charge, while others charge quickly but deal less damage. Sort Charged Moves by DPE (damage per energy) and select the best move for the "Main" Charged Move.When using the auto select option, the simulator calculates which moves would be optimal in the current matchup. Pokemon that are above level 35 to meet the CP cap have different default IV's to represent those found in lucky trades. "Overall" is a product of the three stats and gives a general idea for performance, mostly useful for comparing Pokemon of the same or similar species.īy default, Pokemon have an IV combination that is the 64th best IV combination (sorted for stat product) using an IV floor of 5. The stats shown are a Pokemon's actual stats at the given CP or level. Pokemon StatsĪ Pokemon's actual stats are a result of its base stats, IV's, and a CP multiplier (determined by level). Victories will always have a minimum Battle Rating of 500īattle Rating is a way of measuring battles beyond simply "win" and "loss" it may be valuable to know not only which Pokemon can win, but which can do so while sustaining the least amount of damage, leaving them in a better position for the next fight. Battle Rating has a hypothetical maximum of 1000 (victory with no damage taken) and a hypothetical minimum of 0 (loss with no damage dealt). In other words, a Pokemon gets up to 500 points for the percentage of HP it damages in battle and up to 500 points for the percentage of HP it survives with. The Battle Rating formula is:īattle Rating = (500 x (Damage Dealt / Opponent's HP)) + (500 x (HP Remaining / HP)) Battle Ratingīattle Rating is a metric used to represent each battle's outcome. We hope the simulator can serve as a helpful guide for real-world battles.īelow are details for how the battle simulator works. While the simulator strives to paint as accurate a picture as possible, note that various factors may affect the outcome of an actual battle, such as Pokemon stats, latency, device performance, and human decision-making. It displays a timeline of what each Pokemon does, and how much damage they deal. Can Pokemon A beat Pokemon B, and by how much? The battle simulator seeks to calculate and illustrate the answer to that question. Now, read this volume level and put the value in the “Target Normal Volume” box as shown below. Now this should temporarily load its previous (original) volume level under the ‘volume field’.Ĥ. “Modify Gain” -> “Undo Gain Changes” Step 1 … as you can see in ‘Red”, it indicates that the file has gained volume levels previously …ģ. First locate the file or folder and load it to QMP3Gain’s main window. How to “Undo” a previously gained volume level?ġ. If interested, you can get it from this QMP3Gain project home page. These are just some of its main features to mention. As said, you can always Undo your changes whenever you want (it’s completely independent of the program as you can even uninstall QMP3Gain and re-install it again, then load a previously changed audio file, and you should still see its original volume levels). So use it with caution.īy default it’s disabled and most of us would want to keep it that way as it wouldn’t change anything in the meta-tags (holds information such as Artist, Title, Album, Year, Genre etc). However it might corrupt the track while doing so as well. So you can use this option to skip those errors and change the volumes. This can be both useful and could also be dangerous.įor instance, if you have tracks with some issues (with meta-data not 100% accurate or issues with the header file etc), then QMP3Gain might not let you adjust the volume levels by default. It has an option called “No Check for Layer i o ii” which skips quality checking before applying volume levels. Gain volume per track or for an entire album. An analysis tool that shows the default volume levels or gained volume levels (if you’ve done so already). I like “QMP3Gain” over the “MP3Gain” because (the features and UI designs are almost the same), QMP3Gain is written in Qt4 and looks modern □ where MP3Gain is a bit of an old tool which might not look that pretty if you use it with never Windows versions such as Vista and 7. Or it can be used with few other volume gaining back-ends as well. QMP3Gain is actually a Qt written (open-source user interface builder) front-end that uses a very popular tool called “MP3Gain”. So in that sense, if you’ve been searching for a free utility that lets you adjust audio levels (both single and batch file processing) with ease, then QMP3Gain is a tool that you should try. So it’s pretty darn important that we have the ability to rollback the changes whenever we want. So it’s pretty safe.Īnd the reason I wrote about that is, depending on the file and its content, let’s say that after gaining volume to somewhat higher decibel levels (dB), it can sometimes create audio distortions. This is done by simply adding a volume level field in the file’s “header” (this is a special location in a file that holds key information such as the codec that should be used to decode the content, file size, duration etc). Meaning that, you can always undo the changes and get the original volume levels back. This is useful because, there are some encoded music files (sometimes happen when downgrading from a high quality multichannel track to 2 channels stereo or when changing between audio codecs) that have either low or too high volumes by default.īut the good thing about volume normalization is that, most tools (including the one that I’m writing here) do it in a way that it’s 100% lossless. Audio volume gaining or normalization is the process of adjusting the audio level of an audio file (increasing/decreasing) and saving the changes permanently (so you don’t have to manually up/down the volume every time you play a track). Then a few days passed and I finally found this photo that I felt represented the cover the most to me to pitch to him. Cole and I spent hours one night looking for photos for his album cover but nothing seemed to stand out. But, he couldn't understand what was going on in his world. The boy even asked Cole several times who he was. Cole, but was somewhat amazed how everyone was reacting to him. I saw in his eyes he knew nothing about J. I can see in his eyes how much this experience is slowly changing his life forever! The young boy's face just stood out to me to capture. This Atlanta neighborhood was just going crazy! People were running out of their house to take a photo of Cole and ask him questions but, there was something to me about this boy and how he kept looking at Cole as he walked around his neighborhood. The photo was shot in an Atlanta neighborhood in September 2016. The photo that forms the basis of the cover art was shot by Anthony "Supreme" Thompson, who is a photographer and a fan of Cole's. By the time it actually came out only seven people had heard the album in its entirety. In January 2017, in an interview with The Huffington Post, Cole's manager and Dreamville president, Ibrahim Hamad revealed not even the label knew they would be releasing 4 Your Eyez Only until very late. Cole or 4 Your Eyez Only between December 7 to December 19, 2016. According to a Twitter rep, there were 2.7 million tweets mentioning J. Dreamville Records revealed 4 Your Eyez Only official track listing on December 6 through their Twitter account. In October 2016, while performing at a live concert, Cole said that it would be his "last show for a very long time." However, on December 1, with no announcement from Cole himself, a pre-order for his fourth studio album, titled 4 Your Eyez Only was made available on iTunes Store, with a release date for December 9, 2016. During his feature on that track, Cole declares, "Said all I could say, now I play with thoughts of retirement"-a line that had fans of Cole's wondering about the future of his music career. On July 29, 2016, DJ Khaled released his ninth album, Major Key includes the fifth track of which-titled "Jermaine's Interlude"-features Cole. On January 12, 2017, 4 Your Eyez Only was certified Gold by the Recording Industry Association of America, and was certified Platinum on April 7, 2017. It appeared on several music publications' year-end lists. The reception for 4 Your Eyez Only was generally positive, with most critics praising the songwriting, and some calling it Cole’s most mature album to date. The album also debuted at number one on Billboard 's Canadian Albums Chart. It had the third-largest weekly sales for an album in 2016. In June 2017, Cole embarked on the 4 Your Eyez Only World Tour, to promote the album.Ĥ Your Eyez Only debuted at number one on the US Billboard 200, selling 363,000 copies in its first week (492,000 with additional album-equivalent units), earning Cole his fourth consecutive number-one album in the country. Promoting the release, Cole released a one-hour documentary ( by the same name) on Apon HBO, featuring music from the album. Cole achieved twelve simultaneous Hot 100 entries in a single week. All 10 songs from 4 Your Eyez Only debuted in the top 40 of the US Billboard Hot 100. The album was supported by two singles: " Deja Vu," and " Neighbors". The album also touches on other topics such as love and fatherhood. The album explores a variety of topics concerning the African American community including mass incarceration, racial discrimination, gang violence and depression. Most of these recordings took place from 2015 to 2016, while the production on the album was primarily handled by Cole himself, alongside several other record producers such as Vinylz, Boi-1da, Cardiak, Ron Gilmore, Frank Dukes, Chargaux and Elite, among others. 4 Your Eyez Only was released exactly two years after Cole's previous studio album, 2014 Forest Hills Drive. The album was Cole's first release with Interscope-his previous albums were released by Columbia Records. It was released on December 9, 2016, by Dreamville Records, Roc Nation and Interscope Records. 4 Your Eyez Only is the fourth studio album by American rapper J. Pascal Lefèvre (2007: 2) summarizes the central similarity between both media as follows: “Film and comics are both media which tell stories by series of images”. Most theorists agree, that comics and film share distinct structural and visual characteristics (Friedrich/Rauscher 2007: 7 Seeßlen 2011: 257 Lefèvre 2007: 2): Both primarily use images and both rely on cutting to link these pictures (Platthaus 2011: 24). Comics and film - a historical and theoretical overview Due to the limited space, this paper will primarily focus on American live-action adaptations of American comic books 2. Thus, this paper will try to answer the question to what extent film is able to make comic books “come alive” (McCloud 2000: 210) and to what extent it is incompatible to do so. This paper will examine how recent films have tried to adapt the visual and structural features characteristic to comic books and how those adaptation techniques have explored the limitations of both media. Yet, like other theorists, he highlights counterexamples, comic book adaptations with the ambition to not only adapt characters and plot, but also the visual style of the original. For Platthaus the reason are structural differences between comics and film that complicate the visual adaptation process (2011: 22). French director Alain Resnais questions if filmic adaptations of comic books could “add something to the original work” instead of being “rehashes” (Lefèvre 2007: 1). Experts from both media agree: Comic icon Alan Moore considers his comics to be “unfilmable” ( The Mindscape 2005), because they “exploit all the things that comic books can do and that no other medium can” (Dent 2009: 1). Nevertheless, Andreas Platthaus, leading German comic theorists, claims that despite the close relationship between comics and film only few of these box offices successes are aesthetically appealing and that most visually fall short of their originals (Platthaus 2011: 22). They seem to predestine comics for filmic adaptations. “As visual media both aesthetic qualities and formal properties, which have important visual resemblance” (Gordon 2007: xi). Most importantly however, both media are related. The film industry seems to have remembered the potential of adapting comic book material: For one, filmic adaptations of comic books can base on preexisting franchises and profit from their status and fan base 1. Introductionįilmic comic book adaptations are not a new phenomenon, but throughout the last decade the amount of productions based on comic book material has highly increased (Platthaus 2011: 24). Collaboration with comic creators and closeness to the originalħ. Copying the codependence of image and textĤ. Importing and transcribing graphic indicesģ.3.3. Turning visual sound into actual soundģ.3.2. Other techniques to transport the tone of the drawing styleģ.2.3.1. Transporting the individual drawing style of the illustrationsģ.2.2. Using montage techniques to visualize the gutterģ.2. Using multiple-frame imagery to imitate spatial synchronicityģ.1.5. Using slow motion to imitate static panelsģ.1.4. Using freeze frames to imitate static panelsģ.1.3. Using stationary frames or tracking shots to imitate panelsģ.1.2. Imitating panel structure and comic perceptionģ.1.1. Adaptation challenges and an updated research premise10ģ.1. Omission of sound and the codependence of image and textĢ.3. Comics und film - a historical and theoretical overviewĢ.2.4. |
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